Paul Bloemsma
Osama
The film Osama, directed by Afghani Siddiq Barnak, hauntingly portrays the condition of women under the Taliban’s rule in Afghanistan. The opening scene depicts a demonstration in the street of an unspecified small city in Afghanistan. Dozens of women dressed in pale blue burqas chant (in Persian translated into English subtitles), “We want work.! We are not political!” A picket sign reads, “We are widows.” These women must put their economic needs above their desires for political and social equality. The Taliban come to break up the demonstration, and they drive the protestors out with a hose. An image of a blue burqa being sprayed around in the mud is replayed continuously, metaphorically exhibiting how women have been cast down in this society. Several women are locked in a cage with chickens, revealing the Taliban’s treatment of them as subhuman.
From the onset, the film emphasizes how the Taliban’s oppressive regime incapacitated women, both socially and economically. All the women must wear burqas, also known as Chadri, to hide their feminine features. Though the current Afghani government does not require the burqa, many women still wear it due to the influence of the Taliban and political instability particularly in Southern Afghanistan. Economically, women could not work. In the film, the Taliban shuts down the hospital where the protagonist, a 12 year-old Afghan girl, and her mother work. Women’s reliance on men in this society become evident when one night, the mother sobs, “I wish You [God] hadn’t taken my husband in the Kabul Wars. I wish You hadn’t taken my brother in the war with the Russians. He could help my mother.” The female protagonist must disguise herself as a boy to be able to work at a chai teashop to support her mother and grandmother. “Osama,” as she calls herself, is soon taken to a Taliban training school along with other boys of the village. At school, the boys make fun of her feminine characteristics and affect. After the masters discover her first menstrual period, they arrest her. An elderly respected religious leader in the community, Mullah Sahib, takes her in marriage to the chants of “God is Great.” Though she is saved from stoning, her ending is grim as she is married off to an evil man. Sahib’s oppressive nature exhibits the seeming contradiction between piety and the abuse of women so pervasive in the Taliban’s fundamentalist form of Islam.
Though the film centers on the issue of women’s rights in Afghanistan, the movie also displays the cycle of indoctrination in Taliban society. The “school” that Osama and the other young boys must attend is a madrasa, where a religious leader teaches them the Koran as well as military skills. Additionally, the film displays the Taliban’s rejection of Western influence. An American or British cameraman who is caught filming the opening protest scene is executed to the chants of “Death to the Infidel!” Osama is a difficult, yet beautiful movie that honestly and gruesomely depicts the oppressive nature of the Taliban’s regime in Afghanistan.



